Why you don't just throw a mistake out

As funds have been tight for buying new canvas or more resin, I've been finding a lot of inspiration in what were shelved projects, mistakes, or stuff that was pretty much about to be thrown out. Recent examples...

 

....and this one where I had painted a panel of resin encasing a canvas.  It sat to the side for a long time when I then started to strip off the old paint, and added a picture I really love of my niece and nephew.  

....for this I had a couple plywood panels I'd been paint while out of canvas, but I didn't really know what to do with them.  I liked them fine alone, but just didn't feel they were interesting.  I had these resin castings that didn't really turn out and I didn't know what to do with, then the idea came. Put the resin between the boards making it look sort of like they were being pulled apart. 

At the end of it, what was close to trash has become a couple art projects I'm really quite proud of.  

Self-Portal

Self Portal

mixed media

March 2013

This piece I intended to be ready to post on January 1st, seemed like a nice rounded date to say what I wanted to say with it.  That after close to forty years of this life struggling with figuring out my sexual identity I can finally openly admit that yes I am gay.  To the point this morning at church, when the pastor asked how I was doing, I could say that I was hurting because my boyfriend had broken up with me a couple days ago. 

This brings in the point of why it's taken me close to 40 years to come out.  I am also a Christian.  I grew up going to church, my dad was a pastor and a missionary.  Yet from as far back as I can recall I was more attracted to men, and I understood this to be wrong, evil, ungodly.  I was torn up inside, knowing what I felt about myself and what I understood God to be. For years I tried counseling with pastors, therapists, and even ex-gay ministries to cure myself.  I can't recall the amount of times I was close to killing myself because of how much I loathed myself for being attracted to men.  

The question that came to mind continually for me was how can a good, loving and caring God allow me to be this way and demand that I repress and hide it so I can be one of "his children"?  I vividly recall the pastor at a church I went to tell a story about a man who left his family because he was gay, the pastor prayed with the son that if the father was going to be unrepentant that God deal with him.  The story concludes with the father dying suddenly shortly after.  This was seen as a triumph of Godliness. I saw it as a condemnation of my life.  I began praying that if God wouldn't cure me he'd kill me.  

After several years of prayer, study and introspection, I realized the God I thought I knew was not the God I read about in the Bible.  The God I thought I knew was evil, maniacal, vindictive all in the name of holiness.  The God of the Bible is Holy, yes, but loving and gracious.  I began to see that he made me this way not as a curse, or a fell joke, but just as a part of who I am.  And who I am is a blessing, not a curse.  Once I began to be ok with myself, know that I am no worse than any man (to quote Jean Val Jean) and more importantly know truly that God made me and loves me the way he made me, I began to be free to see his love in the Bible.  Only a few months ago I was finally able to say that I am gay without fear, shame or guilt, and once I was able to be truthful, not just to myself but to others, I knew the reality of the verse that says "the truth shall set you free"

This painting is the most personal I have done since my series on suicide (see Tuesday, October 11, 2011 "Self-pitying little whimpers")  It is personal because it's about me trying to climb out of this hole of loathing and self-hatred that I've been consumed by for most of my post pubescent life.  The cost has been heartache and blood, my proverbial and Jesus' literal.  I am out of the hole, and free to live as I believe God intended me to live. A life in truth,community, and love. A life that no longer is condemned to be alone but able to find (as Genesis calls it) my helper suitable, a man who will stand with me, that I can love and share life with and together grow closer to the God who made us and brought us together. 

Abstracted Super Friends

Admittedly, I am a bit of a geek.  I have a decided fondness for sci-fi, fantasy, and comics, all those "geek culture" things.  My knowledge in this area is rather scatter shot and no where near to in depth.  This said, I had been watching some of the Justice League animated features on Netflix and they got me thinking about the old Super Friends shows I loved as a kid.  A thought began to grow about doing a series of paintings based on these iconic DC characters.  But did I really want to do straight up portraits?  Which incarnation would I pick?  I kept the idea in the back of my mind for a while, then one day while walking to the Seattle Art Museum it hit me, why not do abstracts of them.  A series of imagery based on impressions the characters left on me.  The result follows.

Aquaman

Aquaman, the whipping boy, punch line of the Justice League.  I admit he is one of my favorite heroes. I've always loved the water and ocean, and the idea to be able to live below in the depths of the sea as well as on land was an idea that really appeals to me.  I also have always loved the color orange. 

Batman

The Batman, truthfully I think it's become cliche, trendy to say he's the best.  Don't get me wrong, I love the Bat, the old TV show, the earlier movies and more so the latest series of movies.  But I tended to like the side characters more than the Bat. Truthfully more of a Nightwing fan.  With Batman, his world as I see it is wrapped in darkness.  His few bright spots get blotted out by the darkness.  On the surface as Bruce Wayne everything looks tidy and put together, but the Bat's night is a chaos devised by his rogues gallery.

The Flash

The Flash, for me, is tough to pin down.  I haven't read any of his books so I only really know him as a blur of yellow and red. 

The Green Lantern

Again, not a lot of familiarity with the green lantern corps.  In this I wanted to show how there are many lanterns.

Superman

The greatest superhero of all.  It seems he gets shoved to the background lately, because he's such a "boy scout" compared to the bat brooding in the dark.  Superman's strength is in the light.  He seeks to show us how we can be better.  I loved Superman as a kid, Christopher Reeve's Superman was great.  Then I became a broody sullen teenager and Superman's optimism clashed too severely with my cynical world view.  I've begun to grow in appreciation for Superman once again.  For all the character reasons I was originally turned off.  It takes more strength to stay in the light, not to mention help lead others to the light as well.

Wonder Woman

She's a wonder, Wonder Woman. The young princess who leaves her utopian island home to help mankind.  I loved the old TV show, ah Linda Carter.  The lasso of truth, and bracelets that could deflect anything.  She's a lot like Superman in that she chose to be optimistic about humanity, where we're going, and fight for our good. 

walk

walk 

acrylic on plywood

15x9.5

Ted

Ted... Ted is one of those long running projects that becomes a huge part of your life, to the extent of personification.  He began to take shape December 2009.  Prior to this, I had built a frame for a painting which ended out not fitting.  The frame sat around for a while before I mounted chicken wire into it.  Then is sat again until that fateful December day.  Ted's head is based from the Easter Island statues. The field surrounding his head in the framed area is an image transfer process using acrylic gel and photocopies of pictures of mass graves.  While at Ikea waiting to make a return I came up with an idea to build Ted's frame into a kind of monolith, sort of like 2001 a Space Odyssey.  The monolith is built from a 2x12 stud wall, sheathed in plywood, covered with canvas and painted.  At one point I thought of covering the monolith in tar, in fiberglass, and considered resin(big surprise there)  Another inspiration came after watching Werner Herzog's Cave of Forgotten Dreams. I sketched out ideas for images that could be a sort of Polynesian version of cave paintings. I finished the paintings September of 2012.  A final protective coat will be applied by the end of 2013, but I can finally say that Ted is essentially done.

It's bittersweet really. Ted's been both a joy and pain but that's how passion projects go.  He is 6'-4.5" tall, 4'-4"wide, and weighs a virtual ton. 

Day 1, Ted is born

Ted's chicken wire is all covered over

Ted's first paint color

Ted gets taller

Plywood Sheathing 

New colors for Ted

drawing the "cave painting figures"  with my nephew Luke 

Ted's front side

Ted's profile

Ted's backside

Bob

20.75 x 11.5
Acrylic on Plywood

A kind of random piece.  I have a bunch of odd bits of plywood lying about, and started painting on them.  This is just sort of fun in its simplicity.  It makes me smile.

I've recently begun posting art on http://fineartamerica.com/ and on a new facebook page http://www.facebook.com/artpage4DavidTaylor

For the fine art america site I typed up a new bio page, thought to repost it here.

My artistic and creative expression began showing at a young age. Drawing stick figures, making cardboard robots, mud cities for matchbox cars, building elaborate bases for my Star Wars figures, and of course Legos. Typical kid stuff. During one year of grade school I spent the majority of my time, sketching characters and story boarding an animation of the Chronicles of Narnia, which I never actually made. During my time at John F Kennedy Junior High in Eugene, Oregon, I took every possible art and shop class I could, sometimes twice. These classes were the only time in the dreaded junior high years that I felt comfortable, in who I am and in my surroundings. Then came high school. High school was only about getting into a college then a good paying career. I was encouraged to put aside my drawings in favor of science classes. When I entered the University of Oregon as a biology major my path towards med-school seemed unquestionable. When I had to drop the final term of organic chemistry I needed to find something to take up the time. Not really sure why I chose that drawing class, but it changed everything. It reignited my love for arts. By the next school year I was signed up as an art major and had an application in for the interior architecture program. I began to actually enjoy college in my new course of study. I began painting acrylics on canvas and sculpting in soapstone. After graduation I moved to Seattle, Washington and did the artist thing. I worked in the morning as a barista then came home and painted. I did this for a year before I got my first job in an architecture firm. I've continued to work for architects while also working on my art. I have participated in both group and solo shows at Seattle's Gallery 110, where I was briefly a resident artist, and have also participated in various neighborhood art walks.